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basic camera package |
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Sony DSR-500WS 2/3" 3-CCD 16x9/4:3 camera (true 16x9 aspect ratio)
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Fujinon 19x lens F1.4 at 6.5mm - 123mm at F1.9 |
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charger, power supply |
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large batteries (3.5 hour batteries) |
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lightweight support rods |
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tripod plate |
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cords, cables & connectors |
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lenses
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Focal Length Comparison Chart |
| basic lens |
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Canon YJ18x9B4 ENG Style SD zoom lens (1.8) |
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Canon HJ9x5.5B ENG Style HD wide angle zoom lens (T2.0) |
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Canon HJ15x8B ENG Style HD zoom lens (1.9) |
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Canon HJ18x7.8B ENG Style HD zoom lens (1.9) |
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Canon HJ21x7.5 KLL cine style HD non-breathing telephoto zoom 270 degree rotation (T2.1)
specifications |
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Canon prime lenses 6mm,10mm, 15mm, 24mm & 35mm (T1.5) |
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monitoring
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9" Sony PVM8041 4:3/16x9 field monitor, optional Anton Bauer gold mount
& batteries |
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7" Panasonic 7WMS1 LCD SD on-board 16x9 monitor with clawball mount
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20" Sony PVM20M2U SD 4:3/16x9 component, composite & S-video monitor
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follow focus
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Chrosziel light weight follow focus, crank handle, 1' & 3' whips
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matte box & filters 4x5.650
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Chrosziel 4x5.650 two stage swing away matte box/siders/brow |
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Schneider Tur-Pol Polarizer |
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coral 1/4 |
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sunset Grad 1/4 |
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blue Grad 1/2 |
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set of Soft Efx 1/4, 1/2, 1 |
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set of white Promist 1/8, 1/4, 1/2 |
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set of black Promist 1/8, 1/4, 1/2 |
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set of ND Grads (soft) ND3, ND6, ND9 |
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series 9 round filters
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Tiffen 81, 4 point 3mm star, Softnet diffusion 3s, black Promist 1/2, fog 1
& 2, Soft FX 1,2 & 3 |
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support
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Sachtler Video 18 7+7 or Cartoni fluid head |
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standard graphite legs |
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spreader or Sachtler spreader wheeled dolly |
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100mm ball Hi-hat |
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accessories |
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traditional remote focus control |
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traditional remote zoom control |
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Microforce zoom controller & motor |
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Microforce pan arm bracket - Oppenheimer |
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sound gear
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Senheisser 416 short shotgun mic/Zeppelin shock mount/windsock |
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Tram lav mics |
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RE50 Electro-Voice omni directional stick mic |
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6 foot telescoping graphite boom pole |
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12 foot telescoping graphite boom pole, internally cabled |
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Boommate boom pole holder |
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Lectrosonics (201 series) UHF wireless mics |
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Shure FP31 3 input mono mixer |
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headphones |
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on-board light
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Anton Bauer Ultralight 2 (this camera has a switch to turn light on and off when
you hit the record button) |
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lighting kits
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Arri Softbank - 5 light kit (650, 300 & 150 watt fresnel, 1 open face 1k,
soft box, scrims, stands, gels) |
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Lowell kit - 6 light kit (2 1K DP lights, 4 omni 650 watt lights, barndoors,
stands, gels) |
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Mole kit - 3 light kit (2 inke 250 watt fresnels, 1 Mickey Mole open face light
with Chimera, barndoors, stands, gels) |
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Arri - 2 light kit (2k open face lights, barndoors, stands, gels) |
